Press
The Roundtable, February 2, 2011
The Roundtable, December 10, 2011
Knight Arts, January 10, 2012
The Roundtable, January 30, 2012
The Beloit Daily News, February 2, 2012
The Roundtable, February 11, 2012
The BBC, February 3, 2012
The Philadelphia Gay News, March 1, 2012
The Roundtable, April 23, 2012
The Women's Caucus Blog, June 27, 2012
The Gaithersburg Patch, June 27, 2012
DIY PHL, August 1, 2012
Collaborate Philly, August 6, 2012
Philadelphia Weekly Calendar, August 8, 2012
Campus Philly, August 10, 2012
Make Major Moves Music Blog, August 10, 2012
Philadelphia Weekly Weekend Picks, August 10, 2012
Philadelphia Dance Journal, November 14, 2012
The Deli Weekend Warrior, November 16, 2012
Philadelphia Weekly Listing, November 17, 2012
Philadelphia Weekly Calendar, December 19, 2012
Philadelphia Dance Journal, December 26, 2012
G Philly, February 7, 2013
The Philadelphia Jewish Voice, February 11, 2013
DIY PHL, March 1, 2013
PW Style Blog, March 6, 2013
"Mira Treatman’s 'Seven Minutes in Heaven' 'makes you feel something,' says (dancer) Toby Walters. Self-conscious laughter could be heard during its performance at the December Dance Workshop. Treatman performed the piece in Philadelphia as a duet, but expanded it to six for Beloit. 'I like playing with the stigma of self-reflexive sexuality,' Treatman says. She says the laughter 'is desired' and that it facilitates 'an awakening to seeing something in another context and being okay with it.' Watching the piece again in rehearsal, it was even better the second time. The cast had changed slightly from the last performance. Much of the particulars are left up to the dancers. Treatman calls it 'structured improvisation.' - Spencer Bible
"Treatman’s “Seven Minutes in Heaven” offers a subtle tugging at your psyche to accompany the exquisite movement." - Lizzi Belmont
"Treatman’s 'Dial Tones' presented something that was indefinable, interesting and I couldn’t take my eyes off." - Lizzi Belmont
"The title of the Network for New Music concert, 'Girls Write Music,' sounds slightly defensive. Why wouldn't they? It's an age-old question, best circumvented before young females realize people their age have composed serious music only in certain pockets of history, such as the early 17th century, when Italian cloistered nuns wrote their own sacred music - often while in their teens - in defiance of orders....modal inflections of traditional Jewish music in (Treatman's) 'Kvelling'" - David Patrick Stearns, The Philadelphia Inquirer
"these kids were fabulous, and if you missed it you will surely be sorry when they become international superstars." - Audience Member of "Acta et Verba in Cafe" at The Philly Fringe 2007
The Roundtable, December 10, 2011
Knight Arts, January 10, 2012
The Roundtable, January 30, 2012
The Beloit Daily News, February 2, 2012
The Roundtable, February 11, 2012
The BBC, February 3, 2012
The Philadelphia Gay News, March 1, 2012
The Roundtable, April 23, 2012
The Women's Caucus Blog, June 27, 2012
The Gaithersburg Patch, June 27, 2012
DIY PHL, August 1, 2012
Collaborate Philly, August 6, 2012
Philadelphia Weekly Calendar, August 8, 2012
Campus Philly, August 10, 2012
Make Major Moves Music Blog, August 10, 2012
Philadelphia Weekly Weekend Picks, August 10, 2012
Philadelphia Dance Journal, November 14, 2012
The Deli Weekend Warrior, November 16, 2012
Philadelphia Weekly Listing, November 17, 2012
Philadelphia Weekly Calendar, December 19, 2012
Philadelphia Dance Journal, December 26, 2012
G Philly, February 7, 2013
The Philadelphia Jewish Voice, February 11, 2013
DIY PHL, March 1, 2013
PW Style Blog, March 6, 2013
"Mira Treatman’s 'Seven Minutes in Heaven' 'makes you feel something,' says (dancer) Toby Walters. Self-conscious laughter could be heard during its performance at the December Dance Workshop. Treatman performed the piece in Philadelphia as a duet, but expanded it to six for Beloit. 'I like playing with the stigma of self-reflexive sexuality,' Treatman says. She says the laughter 'is desired' and that it facilitates 'an awakening to seeing something in another context and being okay with it.' Watching the piece again in rehearsal, it was even better the second time. The cast had changed slightly from the last performance. Much of the particulars are left up to the dancers. Treatman calls it 'structured improvisation.' - Spencer Bible
"Treatman’s “Seven Minutes in Heaven” offers a subtle tugging at your psyche to accompany the exquisite movement." - Lizzi Belmont
"Treatman’s 'Dial Tones' presented something that was indefinable, interesting and I couldn’t take my eyes off." - Lizzi Belmont
"The title of the Network for New Music concert, 'Girls Write Music,' sounds slightly defensive. Why wouldn't they? It's an age-old question, best circumvented before young females realize people their age have composed serious music only in certain pockets of history, such as the early 17th century, when Italian cloistered nuns wrote their own sacred music - often while in their teens - in defiance of orders....modal inflections of traditional Jewish music in (Treatman's) 'Kvelling'" - David Patrick Stearns, The Philadelphia Inquirer
"these kids were fabulous, and if you missed it you will surely be sorry when they become international superstars." - Audience Member of "Acta et Verba in Cafe" at The Philly Fringe 2007
